It's out in English, but this version of it is it in Italian. Because everything sounds better in Italian.
A few of you have written in asking if I'd done an Alan Moore and taken my name off the film, or if I'd had a falling out with the studio, as my name isn't mentioned in this trailer, just Henry Selick's -- and no, not at all. Nobody's name except Henry's is mentioned in the trailer, and that has more to do with Focus wanting to make sure that if they invoked The Nightmare Before Xmas, people wouldn't then assume this was a Tim Burton film, and go and see it -- or stay away -- based on that. (On the international poster -- above -- you won't find my name or Henry's.) I suppose it's a marketing decision.
I chatted to Henry today, and am really looking forward to seeing a finished film -- the last twenty minutes of the thing weren't done the last time I was sent anything. And it has music...
Incidentally, the Coraline Movie edition is now out, with an essay by me in the back, and another by Henry Selick...
I've started playing with the T-mobile G1. First reactions -- I like it, mostly. It feels good in your hand. It's reasonably intuitive. (Bizarrely, when it isn't intuitive and I've had to head into manual land, the phone's software and the PDF of the manual do not always agree with each other.) I've had fun making ring tones, creating galleries. The way that your contacts list is also your Gmail contacts is mostly terrific (although it won't let me create entries that have the same email address as someone already on the list).
The things I don't like about it so far seem huge and obvious: no Blogger app (when there's a LiveJournal app and several others) seems a huge omission, seeing it's from Google; it can't read or open PDF files yet; you can send it pictures and watch them as a slideshow, but you can't save them; the built in Gmail app can't do anywhere near the things that the gmail program on my N73 can do; the camera is about the same standard as the iPhone's, which is to say, a bit meh. I like having a real keyboard but wish it was a tiny bit bigger -- I find myself typing with fingernails. Battery life is fine unless you've got Wifi on.
More reactions after it's been on the road with me and been used for a bit.
...
Hi Neil,
I just had a quick question on the Who Killed Amanda Palmer book. I have the album already (and have listened to it countless times. It's beautiful).
I was going to go and order the book, but when I went to the site, I found that the book seems to only be in packages. I was wondering if there are any plans to sell the book alone, or whether I should buy one of the packages. The extra CD could make a nice gift.
Thanks, Nate
Let's see... the book is being desgned right now, then it goes off to the printers. The people who bought the package version will get theirs first. Depending on where in the world it's printed, this could be a couple of months before anyone else. Then, when copies come in from the printer, they'll go on sale -- probably in the early Spring. I think.
Neil!
I'm re-reading American Gods, and I'm at the point where Shadow first meets Sam. At the diner, Shadow reads a newspaper story saying "local farmers wanted to hang dead crows around the town to frighten the others away; ornithologists said it wouldn't work, that the living crows would simply eat the dead ones. The locals were implacable. 'When they see the corpses of their friends,' said a spokesman, 'they'll know we don't want them here.'"
Neil, I don't have Time Enough for Love here at school, but wasn't there something very similar to that in that story? Was your dead crow story a little Heinlein homage?
And OMG - just realized that Sam's last name is Black Crow, and that story was about crows. Wow. Sneaky of you.
Chris
When I'm driving through small-town America I make a point of buying local papers in towns where I stop, and reading them, preferably in local coffee shops. I read that in a small town as I went, and thought "It belongs in my book". So I put it there.
Dear Mr Gaiman, I recently finished reading M is For Magic, and I have a question about the story Chivalry. Sir Galahad was considered the holiest of Arthur's knights; so, how coul he have obtained an apple from the garden of the Hespiredes? The Hespiredes were a part of greek mythology which was actually a religeon based on monotheism. So, how could he get something that his religeon said didn't exist? I am sorry to bother you with this question, but it has sparked my interest.
- a young and curious reader
He had to travel a long way.
I don't think it would have been a problem for early Christians, of whom Galaad would have been one: in The Golden Legend, which was the most popular book of stories about saints, collected in the thriteenth century, Saint Nicholas (the one who became Santa Claus) went up against the Goddess Diana. Then again, Narnia, a most monotheistic world, had more than its share of nymphs (just like the Hesperides) not to mention such gods as Bacchus and Silenus (and Santa Claus again) wandering around. So I would not worry about it, were I you.
I loved the link to the Sandman Death 20th Anniversary Bookends you put up. When should they be coming out and how much of a dent will they put on my wallet, please?
According to a quick Google, http://www.toymania.com/news/messages/9960.shtml says they came out in September, and they will cost a wallet-twinging $295. (Ouch.) There are only a thousand of them.
This one has almost nothing to do with you Neil, but since his website is still in the makings I thought you could perhaps forward this to him. I was very sad (like a child whose told there won't be a Christmas this year) to learn that Dave McKean's appearance this weekend in Buenos Aires was canceled. In the event's blog they posted Dave's email in which he mentioned he couldn't make it because a date was changed (which sounds reasonable). But it remained unclear if it was the date of ANIMATE (the Buenos Aires event) which was changed, or if it was one of Dave's previous engagements.
Dave McKean said...
Hi Neil,
Please post this, as I certainly do feel very bad letting people down:
I agreed to go to Animate in the summer and had to organize a military operation of friends and family to take care of our son Liam during the proposed week, as he is appearing as Gavroche in Les Miserables in London and has to be accompanied to and from the theatre each day he's on, and also be available on 12 hours notice every day in case another actor drops out. We managed this, so both Clare and I could make the trip to Buenos Aires, a city we've always wanted to visit. Unfortunately, the date was changed by the organizers, and so we had to re-arrange. More importantly, it became obvious that the festival was now colliding with a variety of previous commitments falling in the latter half of November, so I decided with great sadness to withdraw this year. I hate letting people down, and I was really looking forward to the trip (though not the 24 hours travelling each way, I admit!).
Hopefully there will be another event, an animation or film festival, that will allow me to visit the city in the future. Or maybe we'll just go for a holiday, and do a signing in a bookstore.
Thanks, Dave
(I think it's worth pointing out that ten-year old Liam McKean -- owner of the original Pig Puppet -- is in Les Miserables in London. If you happen to go and see it, check if he's in your performance. Get his autograph. Mention pigs. Make his day.) And that reminds me...
Hi Neil,
I thought you might like to let people know that Dave McKean is on the BBC4 programme "Picture Book" talking about his illustations for David Almond's 'The Savage' and how he was inspired by Comic Book's art. The programme is airing (again) at 19.10 on Saturday and 3.30 on Sunday, and is also currently available on the BBC i-player. http://www.bbc.co.uk/programmes/b00fhnb6/comingup
Thank you again for all the stories,
Marjorie
You're welcome.
Hi,
Just read that you completed "the Dying Earth story." Huh? Is there a new collection of Dying Earth stories coming out? Is it an homage to Jack Vance's work, or what?
Did a search for "dying earth" on your website and saw no other mention of it.
In addition to the drawing by me and Mike, there's also drawings by me and Jeff Smith, Colleen Doran, Paul Pope, Larry Marder, Jim Valentino, Amanda Conner, Darwyn Cooke, David Gianfelice, Eduardo Risso, Jeffrey Brown (I think this one may be my favourite), Kyle Baker and Nikki Cooke... You want one? You know someone who would like one for Christmas, Chanukah, Kwanza, Mithrastide, or I'm-An-Atheist-But-I-Don't-See-Why-I-Can't-Have-A-Party-And-Presents-Day?
Then you go to this ebay link, and go shopping for the Holidays...
Also, I got a happy call from my editor to say that The Graveyard Book is now in its seventh week on the New York Times children's list. (Two weeks at number one, then a drop to number six, and the last four weeks sitting cheerfully at number four.) I haven't wanted to say anything for fear of jinxing it, but it makes me much happier to still be at number four than it ever did to get to number one. Number One meant that I went on tour and we made a lot of noise; seven weeks later, Number Four means that people are telling each other about the book, and buying it on word of mouth, and that makes me happier than anything.)
There. After a few days of mostly sleeping I'm alive again, although I feel a bit like someone took a glue gun to my lungs. I just threw a whole peeled lemon, a dried cayenne pepper from the garden, some honey and hot water in a blender, and drank it all down, and I think it helped.
Nothing exciting to report, or rather, I cannot remember any of the things I'd planned to write once I had a brain again.
On the other hand, Coraline.com (and theothercoraline.com ) have both got spookier, and have strange and marvellous little films up. With keys to access... one of which I found at http://www.despoiler.org/2008/11/17/my-funny-coraline/. (Yes, I suppose I could just have called Focus and asked, but how much fun would that have been? Also I'd feel guilty about posting the info here if I did.)
Hi Neil! I'm a huge fan with 2 quick questions.
Absolute Sandman Vol 1 appears to be sold out on Amazon and Chapters / Indigo with no mention of availability. Is there going to be another printing soon or should I be desperately searching bookstores for a copy before it's gone forever?
On a related note, are there any plans to release an AbsoluteAbsolute Sandman containing all 4 volumes, with any special content?
Thanks so much! Love your books, love your blog!
I checked, and when you wrote this Absolute Sandman #1 was indeed out of stock everywhere. But before I could write to people and ask, it was already back in print and back up on Amazon. (This is the link) (I notice it's now at full price, not 37% off, like the others, which may well mean that once they sell out of the first printings of Absolutes they'll stop discounting them. Which, if you're putting off buying them for the future, might make a difference.)
(And in the half hour between my checking it was there and now it's already gone Temporarily Out Of Stock at Amazon. I assume they didn't order enough to cope with back orders.)
There are definitely no plans to ever do one 2500 page book. (I feel guilty enough watching people carrying two of the Absolutes in signing lines: a 36 lb book would just be wrong.) However, I can assure you that the Sandman and Death bookends are heavy enough to cope with holding the Absolutes in place. (I'm using mine for other books, but they're definitely working bookends, not ornaments.)
I'm sleeping a lot, coughing a bit, sleeping a bit more. During the waking bit I'm mostly listening to Radio 7 or podcasts, and the best podcasts are from The Moth, the storytelling thingummy based in New York I discovered last year shortly before I found myself on a stage telling the story of how I got home from Hamburg in 1977.
Anyway, the Moth is a marvellous thing, and needs to be supported. Tomorrow night is the annual Moth Ball. You can read all about it at https://www.themoth.org/ball . If you're in New York, you could go. It is hosted by
John Turturro
and
Garrison Keillor
and Salman Rushdie will be getting an award. It looks like a marvellous evening of storytelling. There will be wonders and things in a silent auction as well.
There's two days to go on the auction -- it ends at Nov. 19, 2008 at 11:59 PM EST. Right now you can get afternoon tea with me for a bid over $350.
I hope whoever wins it is nice.
[Edit to add: Hi Neil,
I am seriously considering bidding on the afternoon tea at the Players in Gramercy Park, and I was curious as to when this event would occur, to make sure I can attend (and not be out of the country due to work). Perhaps I'm blind, but I didn't see it indicated in the auction. Help?
Thanks, Jeff
P.S: I'm fairly confident that I'm a nice person, and can probably even get a few friends to vouch for me!
That's because the actual when-it-happens of it all is something that will get figured out between the winning bidder and me, and depend on where they are and where I am. The idea is to be able to make it work for whoever bids.]
A small happy birthday post to somebody living and somebody dead.
This is the dead person. I think this may be the funniest 8 minutes of someone staring at you and telling you about his experiences as a coal miner and novelist ever filmed.
And here, from twenty years ago, are both birthday boys. "Independent wealth. And blackmail."
I've got something that's probably only a bad cold that caught up with me after five months on the road, so I was asleep last night by about nine... and awake this morning at six.
I finished typing the Dying Earth story for Messrs Martin and Dozois, who were sitting on an otherwise completed book drumming their fingers against their tabletops in a worried manner and waiting for me to finish touring. It's an odd story but it made me happy, and, while I get to do some Jack Vance impressions (no-one but Vance can do Vance properly) I got to do me too.
(I don't think I've ever had an Alex Ross cover on anything I've done, and it was lovely to see it...)
....and, now that it's been shown full size on the back of Previews, I don't think there's any harm in putting up Andy Kubert's cover, in its original uncoloured version. (which is the one I can find on my computer.) (If anyone grumbles I'll take it down.)
...
I've been pondering the word prevaricate on and off for a number of years. I'd used it once in Sandman to mean someone not making up their minds, and Emma Bull, reading it, said "You mean procrastinate. Prevaricate means to lie." And I changed it before it saw print, realising that if she thought it was being misused, so would many other readers. Then, eighteen years later, I read an article on how to hang Rothkos which contained the sentence "Rothko was always prevaricating over how his art should be shown," said Waldemar Januszczak, art critic for the Sunday Times, and decided to research.
I think it's a word with shades of meaning, and while in the US it tends to get used simply as "to lie" (as in "All politicians prevaricate"), in the UK it's more often used as a synonym for Equivocate -- i.e. to avoid giving a straight answer... even to tergiversarate. And it's the equivocation, with its implications of putting off a decision that then shades over into meanings that aren't simply "to lie".
And after writing that I just found some people arguing with each other about that on a French/English board, as if it's a new meaning that's just come along. It isn't. The Big Oxford English Dictionary that I need a magnifying glass to read lists as Prevaricate definition #2 "To deviate from straightforwardness; to act or speak evasively; to quibble, shuffle, equivocate." And it gives examples going back to 1651. (Squints. Checks with magnifying glass. Nope, 1631.)
...
Joe Gordon asked if I could mention this excellent Vertigo Encyclopedia interview up at the FPI blog, which I do, partly because I still feel guilty for not ever reading Alex's book A Scattering of Jades, copies of which were pressed on me in proof by friends, and which, like so many books people give me, never made it off the to-be-read pile.
A few people have sent me links in to the Io9 article on How Sandman Changed the World. It's over at http://io9.com/5086663/5-ways-that-sandman-changed-the-world if you want to read it. I guess I have the same problem with it I do with a lot of Io9 stuff -- it's an article that reads like someone was assigned it, and sort of blogged it out in a bit of a hurry without any research or real thought. I don't think that Sandman actually did any of the five things he lists it as having done, and a lot of the things presented on the page as if they're facts are opinions, and dodgy ones at that. (Which sounds remarkably ungracious, considering it's a blog entry that says nice things about Sandman. If so, blame it on the author being in bed with a cold.) (And, before people write in asking about the "lost Sandman role playing supplement", and before it makes it into Wikipedia, the Mayfair Games Sandman event someone talks about in the comments is more or less entirely fictional. I think I had a chat about a potential Sandman game with Dan Greenberg, who wrote the DC Magic supplement, but it went no further and Mayfair went down soon after -- I've never before encountered the idea that the two things were linked, and no Sandman game was ever written, made, solicited or cancelled.)
On the other hand someone sent me a link to this article on children's literature at http://www.firstthings.com/article.php3?id_article=6403. It's a fascinating essay which I agree with parts of, disagree with parts of (I really rate A.A.Milne as a humourist, children's writer and playwright, and my five-year-old love for the Winnie The Pooh books is all-consuming), but love his journey from premise to conclusion. If we are in a golden age of children's literature, it's probably mostly because of Sturgeon's Law. There are a lot of books being written right now, after all.
Also ran into this article by Roseanne Cash on songwriting (which I suspect applies equally to writing of all kinds) which I really enjoyed: so much of the magic is made by turning up and crafting something, simply by doing the work, and it's so hard to convince people of that, and it doesn't make the magic any less for it.
It's for Skim, a graphic novel [Jillian] created with her cousin, author Mariko Tamaki. The book, published by Groundwood Books/House of Anansi Press, is one of five titles short-listed for the $25,000 G-G prize in children's literature (text), with Mariko Tamaki cited as the sole creator. If you give a writing award to a comic and ignore the art, you're being foolish, short-sighted and fundamentally failing to understand what comics are or what comics writing means.
And it's never too late to fix things.
Now, before I head off on some barking mad Jeremiad against short-sighted Canadians, I shall drink some chicken soup and go to sleep.
I've finished the BATMAN half of the story (the actual cover of which can be seen, small, on the back cover of Previews). Now onto the DETECTIVE half, in which much will be explained. Now typing out the last of a short story. Last night was a late birthday dinner, during which Maddy pointed out that when she's 26 I'll be 60.
Much lemon-and-honey and chicken soup is being drunk. And The Graveyard Book (and the P. Craig Russell Coraline Graphic Novel) are on Kirkus's 2008 Year's Best list.
I am a longtime fan and have had the pleasure of meeting you on several occasions at various NYC reading and signings over the years. I had to skip the post discussion signing this time to cover another event (Conor Oberst at Terminal 5). Therefore, since I didn't get to say it in person... Thankyou, to you and Chip for an enlightening, entertaining, and inspirational evening!
If you have a chance I would love for you to take a look at my website www.maniacpumpkincarvers.com I carve really intricate, custom pumpkins each fall.
Thanks again, Marc Evan
Those are some remarkably carved pumpkins. (Even a pig!)
Thanks Marc. We get to see what Chip was wearing in those photos, which I think is important. Posterity needs to know. (There's a wonderful description of the event up at Tor.com -- http://www.tor.com/index.php?option=com_content&view=blog&id=8526#more -- which reminds me that you can always remember how to spell fuchsia if you bear in mind that the flower was named after a German botanist named Fuchs.)
Have any of your books been translated into Chinese and if so, where can I get one for my son-in-law for for Christmas? I've searched the web with no luck and also checked in 2 bookstores in Hong Kong last week with no results. Thanks. He and my daughter are huge fans and have been at a couple of your book signings in the Twin Cities.
Yup. They're now pretty much all out in complex Chinese characters, and are in the process of coming out in simplified Chinese. Let me look...
Late last night I recorded the eulogy I wrote on the back of the LP of Who Killed Amanda Palmer and emailed it off into the void. I think Amanda and her team are going to do something with it at the live gigs but am not entirely certain what. Whatever it is, you really want to go and see Amanda Palmer live. Honest you do.
She's a wonderful performer, is assisted by the mysterious Australian dancy-performance-arty foursome The Danger Ensemble, and will be signing for everyone after each show (where you could tell her that I sent you and thus impress her with the magical power of this blog). Also she is very likely to perform "I Google You" and (perhaps more importantly) to do some Dresden Dolls songs as well as solo songs from the Who Killed Amanda Palmer CD.
The tour details and links and suchlike are all up at http://amandapalmer.net/tour but, in case you were idly wondering if she was going to be anywhere near you:
Fri Nov 14 '08 (8:30 PM) Asheville, NC The Orange Peel
Sat Nov 15 '08 (8:30 PM) Raleigh, NC Lincoln Theatre
Sun Nov 16 '08 (7:30 PM) Atlanta, GA Variety Playhouse
Tue Nov 18 '08 (6:30 PM) Washington, DC 9:30 Club
Wed Nov 19 '08 (8:00 PM) New Haven, CT Toad's Place
Fri Nov 21 '08 (7:30 PM) New York, NY Webster Hall
Sat Nov 22 '08 (8:30 PM) Philadelphia, PA Theatre of Living Arts
Boston two-night stand: Mon Nov 24 (7:30) & Tues Nov 25th '08 (7:30 PM) Boston, MA Paradise Rock Club
Sat Nov 29 '08 (8 PM) Millvale, PA Mr. Small's Theater
Sun Nov 30 '08 (TBD) Toronto, ONT Mod Club Theatre
Tue Dec 2 '08 (8:30 PM) Ferndale, MI The Magic Bag
Wed Dec 3 '08 (7:30 PM) Chicago, IL Metro
Fri Dec 5 '08 (9:00 PM) Minneapolis, MN First Avenue
Sat Dec 6 '08 (9:00 PM) Denver, CO Bluebird Theater
Sun Dec 7 '08 (10:00 PM) Aspen, CO Belly Up Aspen
Mon Dec 8 '08 (8:30 PM) Murray, UT Murray Theatre
Wed Dec 10 '08 (9:00 PM) Vancouver, BC Richard's On Richards Cabaret
Thu Dec 11 '08 (9:00 PM) Seattle, WA Showbox at the Market
Fri Dec 12 '08 (8:30 PM) Portland, OR Wonder Ballroom
Sat Dec 13 '08 (9:30 PM) Sacramento, CA Harlow's Night Club
Mon Dec 15 '08 (8:00 PM) San Francisco, CA Bimbo's 365 Club
Tue Dec 16 '08 (9:00 PM) Los Angeles, CA Henry Fonda Theatre
...
Dear Mr. Gaiman (or the man behind the curtain holding Mr. Punch's strings): I have been a big fan of your work for many years, especially your collaborations with Dave McKean. I was very pleasantly surprised when Signal To Noise was recently re-issued, as my old paperback copy was becoming more than slightly battered. If I had to pick a favourite work of the two of you collaborating, that would be it. Such a wonderful book. Okay, now that I've finished with that, I have a question: I have never heard the BBC adaption, and would very much like to -- is it still available for purchase anywhere? I've searched the internet and don't seem to be able to find it. Are there any plans to re-issue it? Hopefully yours,
Slowly coming out of a too-much-travel induced haze, a day at a time. The weather is vaguely evil -- spatters of frozen rain patter and tap against the window-glass. Am typing this in bed, and truly, it's just an enormous link-dump, higgledy piggledy with little rhyme and less reason:
http://www.tribune.ie/arts/books/article/2008/nov/09/enter-sandman (It has my favourite photo caption ever: Neil Gaiman: his relentlessly eclectic attitude has caused difficulties with fans, which made me flash back on conversations with headmasters as a boy, which all seemed to begin, "Gaiman.. it's about your attitude.")
The second of my 2000AD Future Shocks (from September 86) is up at http://forbiddenplanet.co.uk/blog/?p=10100 I think it was the fourth comic story I'd ever written, and for quite a while it was the only one I was satisfied with. Looking it over now, I'd noodle the dialogue a bit, but it's still a nice idea.
A while ago I mentioned that I started my day by checking Locusmag.com, the online version of Locus, and got this question:
Why is locusmag.com such required reading? Caveat: I've been an sf pro for nigh unto two decades (ye gods! can it truly be 20 years?), and when I started (before this pesky internet thing existed), Locus (the magazine) was definitely where the news was. But with the growth of the web sites and blogs (and not to break my arm patting my own back, but SFScope.com, too), it seems to me that locusmag.com is sort of a backwater, occasionally posting links to items elsewhere. Their indexes of past information are great, but why do you find it the first stop to find out what's going on?
--Ian
It's mostly due to taste -- I mostly like the links they point to, their news although sparser than other places tends to be real news (I assume they learned their lesson about ever using Wikipedia as a source for anything last week), I'm of an age where when Locus says someone died it's probably someone I know or have met, and partly because it's still the online segment of an SF oriented magazine done by actual journalists with real reporting and criticism in it. SFscope (since you mentioned it) seems to reprint every press release vaguely having to do with SF or fantasy -- it's stuff to winnow through, and I don't want to winnow. There's too much winnowing to do on the web already. I assume that on most days there won't be any news on Locusmag, and I like it that way. Also, it has essays by Cory Doctorow, reprints of bits of interviews and criticism, bestseller lists (within the field and without), and links to things that mostly aren't stupid.
Incidentally, they've put the last issue of Locus up online as an experiment -- you can read the whole interview with Ursula K LeGuin, of which the online extract is merely an extract: it's up at http://issuu.com/locusmag/docs/1k45kdsx87
Authors and Cats in the Guardian: this blog gets a shout out (and then, there's the famous photo of Princess and me in the back of the illustrated STARDUST).
I am a children's librarian on our local county mock newbery committee. We have all read and loved The Graveyard Book, but are wondering if it can be included, due to Mr. Gaiman's status as a British citizen.
We have heard a recent rumor that he has become an American citizen. Is this true? If so, you'd make a large group of librarians very happy.
Sincerely, Sharon Kalman Children's Librarian Paramus, NJ Public Library
1. The Medal shall be awarded annually to the author of the most distinguished contribution to American literature for children published in English in the United States during the preceding year. There are no limitations as to the character of the book considered except that it be original work. Honor Books may be named. These shall be books that are also truly distinguished.
2. The Award is restricted to authors who are citizens or residents of the United States.
3. The committee in its deliberations is to consider only the books eligible for the award, as specified in the terms.
See point two? I'm an American resident. Do not worry.
A few people sent me the link to http://www.37signals.com/svn/posts/1392-carbon-copies-i-write-dead-people -- pencils made from dead people. I thought that pencils were graphite, not just any old carbon, and wonder how well you could actually write with dead people, or how much of the ash would actually go into the pencils. I do like the idea, though.
I got home half an hour after my birthday was done. Spent yesterday mostly sleeping -- at least, I remember nothing about yesterday other than the moment I looked out of the window and realised it must have been snowing for a while and I hadn't noticed, and watching Sarah Jane Adventures with Maddy, and saying the dialogue a few seconds before the characters did, with the right intonation and everything, which left her suspicious that I'd seen the episode before and left me explaining that, no, I just knew how they went.
I have oodles of links to post and tabs that need closing, but I think I'll save that for a post later tonight, and now take the dog for a walk in the snow: I realised, this morning (at the Dentist's, being fitted for a new sleep apnea mouth-thingummy) that I've been on the road since July, and that my exhaustion is my own silly fault, and that Next Year, except where unavoidable, or where already committed, I will stay in one place more or less and write.
Miriam Berkley (http://www.publishersmarketplace.com/members/MiriamBerkley/) found some photos she took of me back when Sandman started. Sometimes it doesn't seem like twenty years since the first issue of Sandman came out. And then I see a photo of me at just-28, and it does, every minute and every year of it.
(Me, twenty years ago, wearing the first of a long line of black leather jackets.)
Ever since the Compleat Death was announced, people have been writing in wondering why it wasn't an Absolute Edition. People really like the Absolute Sandmans (and I was reading through Absolute Sandman Volume 4 last night, and being really impressed by the size and detail -- particularly on reproduction of the Michael Zulli pencils in The Wake, which are remarkable -- and I could really see why). And, because people kept writing in to me and asking about it, I started wondering why we'd have an edition that would be a different size and shape again from the Absolutes. Recently I talked to people at DC about it (especially as, following the critical and commercial success of the Absolute Sandmans, it was becoming apparent to them that it might make sense to keep these things in the same format) and, at the last possible moment, Paul Levitz came down on the side of keeping the editions consistent and keeping me -- and, I hope, you -- happier (thank you Paul). So, no Compleat Death in March. But there will be an Absolute Death later in the year...
